It shows how grown-ups are just as stupid as kids.” -“Are kids stupid?” I said. Only last weekend, I visited a friend whose six-year-old son handed me a picture book. We don’t have to reread the Marquis de Sade to understand these ideas. Expressed in more general terms, the pleasure connected with transgression is sustained by the fantasy that-in breaking down the barriers which separate man from woman, child from adult, mother from son, daughter from father, brother from sister, the erotogenic zones from each other, and, in the case of murder, the molecules in the body from each other-it has destroyed reality, thereby creating a new one, that of the anal universe where all differences are abolished.Įmphasis mine. It is clear that, for Sade, incest is in no way connected with assuaging a deep longing for the Oedipal object, but it is linked with the abolition of ‘children’ as a category and ‘parents’ as a category. I should like to examine in some detail the outcome of the process that goes on in the place I have likened to the digestive tract. In order to better understand Event Horizon, to understand a specific psychic mechanism for destroying reality and delusionally reuniting with the mother’s body, we turn now to Janine Chasseguet-Smirgel’s Creativity and Perversion (1984).
#Warped reality dalhi movie#
What interests me is the unusual frankness with which this unsubtle movie confesses its urgent meaning: the wish to travel outside the boundaries of reality, and to accomplish the impossible: to reconnect to the body of the missing she, the absent mother, by any means necessary. Just when you think you must be imagining this, or overthinking and projecting it into the movie, the rescue ship moves to connect to the body of the Event Horizon and its captain orders a technician to “deploy the umbilicus.” What do we know so far? The reappearance of the ship is the rediscovery of, and reentry into, a missing “she”: an absent but constantly reevoked Mommy or Mama. Play horsie.” She is jostled and says, “Hey, no more ball in the house.” Next is the apology: “Sorry about that, Mama Bear.” A technician is watching a film of her child, back home on Earth, saying, “Play horsie, Mommy. I miss you.”) As the rescue crew kids around, we learn their backstories and their affectionate nicknames. Weir, as he awakens from a nightmare of his wife’s suicide, the memory of a woman he loved and lost: he says, “Claire.
The captain of the Lewis & Clark asks, of the Event Horizon, “Where has she been, Doctor?” (The first words spoken in the film Event Horizon are by the inventor of the reality-warping gravity drive, Dr. It is conventional to refer to a ship as she. “This place is a tomb,” says the captain of the rescue ship, exploring the emptied body of the Event Horizon then, later, “Are you telling me this ship is alive?” The ghost ship has returned from its mysterious journey both emptied and populated. On its surface, Event Horizon is a haunted-house film in outer space. It is being approached by the Lewis & Clark, a salvage-and-rescue ship. Here is the problem: when the gravity drive was activated, the ship simply disappeared.Īs the film begins, it is the year 2047 and the ship, called the Event Horizon, has reappeared.
It would no longer take seventeen hours to fly from Boston to New Delhi if Boston and New Delhi were, briefly, the same place. The ship aimed to get around the laws of physics and travel faster than light using an invention called a gravity drive, which folds two points together in collapsed space-time by means of a miniature black hole. Most movies are children’s movies.Įvent Horizon (1997) is the story of a spaceship that has gone beyond our solar system. Do I have to watch Event Horizon again? I’d rather rip my eyes out.
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